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Matsuo Bashō's most famous haiku

The top 3 according to 3 votes from people: The old pond — a frog jumps in, the sound of water · The months and days are travellers of a hundred ages; the years that come and go are travellers too · Even my grass hut will change hands — now a house of dolls. (Updated May 3, 2021.)

From 'The old pond' to his death poem: Bashō's best-known haiku and the opening of The Narrow Road to the Deep North, with the travel journal or collection each comes from.

鈴木 沙織 · · 12 items · 3 votes · 0 comments

Automatically translated (original in 日本語). See the original

Top 12

  1. 1

    The old pond — a frog jumps in, the sound of water

    Kawazu-awase (1686). The haiku everyone associates with Bashō.

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    1
  2. 2

    The months and days are travellers of a hundred ages; the years that come and go are travellers too

    Opening of The Narrow Road to the Deep North.

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  3. 3

    Even my grass hut will change hands — now a house of dolls

    The Narrow Road to the Deep North, setting out.

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  4. 4

    Summer grasses — all that remains of warriors' dreams

    The Narrow Road to the Deep North, at Hiraizumi.

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  5. 5

    Such stillness — the cicadas' cry seeps into the rocks

    The Narrow Road to the Deep North, at Risshaku-ji.

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  6. 6

    Gathering the rains of early summer — how swift the Mogami River

    The Narrow Road to the Deep North, on the Mogami River.

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  7. 7

    The rough sea — stretching out towards Sado, the Milky Way

    The Narrow Road to the Deep North, in Echigo.

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  8. 8

    Sick on a journey, my dreams go wandering over withered fields

    His last poem, regarded as his death verse (1694).

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  9. 9

    Deep autumn — my neighbour, what does he do?

    One of his last poems (1694).

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  10. 10

    Coming along the mountain path — somehow so lovely, wild violets

    Journal of Bleached Bones in a Field.

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  11. 11

    This road — no one walks along it, autumn dusk

    A late poem (1694).

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  12. 12

    On a withered branch a crow has settled — autumn evening

    One of his early signature poems.

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