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Douglas Sirk's films, ranked

The top 3 according to 49 votes from people: All That Heaven Allows (1955) · Magnificent Obsession (1954) · There's Always Tomorrow (1956). (Updated Jul 22, 2020.)

The great Universal melodramas and the German films before them: Sirk's best, ordered from the BFI's ten essential films, the Chicago Reader and The Playlist.

Mitchell King · · 12 items · 49 votes · 1 comment

Top 12

  1. 1

    All That Heaven Allows (1955)

    Jane Wyman, a widow, falls for her gardener Rock Hudson.

    ▲ 6 ▼ 0

    6
  2. 2

    Magnificent Obsession (1954)

    The film that made Rock Hudson a star, with Jane Wyman.

    ▲ 5 ▼ 0

    5
  3. 3

    There's Always Tomorrow (1956)

    Fred MacMurray and Barbara Stanwyck meet again.

    ▲ 4 ▼ 0

    4
  4. 4

    Final Accord (1936)

    A melodrama built around Beethoven's Ninth.

    ▲ 4 ▼ 0

    4
  5. 5

    Imitation of Life (1959)

    Lana Turner and a mother and daughter divided by the colour line; his last Hollywood film.

    ▲ 4 ▼ 1

    3
  6. 6

    To New Shores (1937)

    Zarah Leander transported to an Australian penal colony.

    ▲ 4 ▼ 1

    3
  7. 7

    All I Desire (1953)

    Barbara Stanwyck returns to the family she left.

    ▲ 3 ▼ 0

    3
  8. 8

    The Tarnished Angels (1957)

    Barnstorming pilots, from William Faulkner's Pylon.

    ▲ 3 ▼ 2

    1
  9. 9

    A Time to Love and a Time to Die (1958)

    A German soldier on leave, from Erich Maria Remarque.

    ▲ 2 ▼ 1

    1
  10. 10

    Shockproof (1949)

    A parole officer falls for the woman he supervises, written by Samuel Fuller.

    ▲ 1 ▼ 0

    1
  11. 11

    Written on the Wind (1956)

    An oil dynasty in Texas; Oscar for Dorothy Malone.

    ▲ 2 ▼ 2

    0
  12. 12

    La Habanera (1937)

    Zarah Leander in Puerto Rico, one of his last German films.

    ▲ 2 ▼ 2

    0

How is this ranking ordered? By people's votes: each ▲ adds a point and each ▼ takes one away. Anyone can vote and add what is missing.

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Comments (1)

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sarah_atx

All That Heaven Allows first is correct. Those colours! Fassbinder and Haynes both remade it in a way.

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