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The essential films of Cinema Novo

The top 3 according to 38 votes from people: Entranced Earth (1967) · The Guns (1964) · Black God, White Devil (1964). (Updated Mar 1, 2020.)

'A camera in hand and an idea in the head': from Rio, 40 Degrees, which paved the way, to Barren Lives, Black God, White Devil, Entranced Earth and Macunaíma, the films that defined the movement.

Rodrigo Vieira · · 15 items · 38 votes · 0 comments

Automatically translated (original in Português). See the original

Top 15

  1. 1

    Entranced Earth (1967)

    Glauber Rocha. A poet and journalist among the politicians of an imaginary country, Eldorado.

    ▲ 5 ▼ 0

    5
  2. 2

    The Guns (1964)

    Ruy Guerra. Soldiers guard a food store in a starving town. Silver Bear at Berlin.

    ▲ 4 ▼ 0

    4
  3. 3

    Black God, White Devil (1964)

    Glauber Rocha. A cowherd caught between a holy man and a bandit in the backlands. First in Folha's 1999 poll.

    ▲ 3 ▼ 0

    3
  4. 4

    Barren Lives (1963)

    Nelson Pereira dos Santos. A migrant family in the drought, from Graciliano Ramos's novel.

    ▲ 3 ▼ 0

    3
  5. 5

    Macunaíma (1969)

    Joaquim Pedro de Andrade. Mário de Andrade's hero with no character, with Grande Otelo.

    ▲ 3 ▼ 0

    3
  6. 6

    Barravento (1962)

    Glauber Rocha. The director's debut, in a Bahian fishing village.

    ▲ 3 ▼ 1

    2
  7. 7

    Cinco Vezes Favela (1962)

    Five shorts on life in Rio's favelas, by Leon Hirszman, Joaquim Pedro de Andrade, Cacá Diegues and others.

    ▲ 3 ▼ 1

    2
  8. 8

    Rio, 40 Degrees (1955)

    Nelson Pereira dos Santos. Five boys selling peanuts across Rio; the movement's forerunner.

    ▲ 2 ▼ 0

    2
  9. 9

    Ganga Zumba (1963)

    Cacá Diegues. Slaves who escape to the Quilombo dos Palmares.

    ▲ 2 ▼ 0

    2
  10. 10

    How Tasty Was My Little Frenchman (1971)

    Nelson Pereira dos Santos. A Frenchman held captive by the Tupinambá in the 16th century.

    ▲ 2 ▼ 0

    2
  11. 11

    São Bernardo (1972)

    Leon Hirszman. A landowner obsessed with possession, from Graciliano Ramos's novel.

    ▲ 2 ▼ 0

    2
  12. 12

    Antonio das Mortes (1969)

    Glauber Rocha. The return of Antônio das Mortes. Best director at Cannes.

    ▲ 1 ▼ 0

    1
  13. 13

    The Unscrupulous Ones (1962)

    Ruy Guerra. Two hustlers and a blackmail plot on a deserted beach.

    ▲ 1 ▼ 0

    1
  14. 14

    The Heirs (1969)

    Cacá Diegues. Forty years of Brazilian politics through one family.

    ▲ 1 ▼ 0

    1
  15. 15

    O Desafio (1965)

    Paulo César Saraceni. A journalist and his wealthy lover after the 1964 coup.

    ▲ 0 ▼ 1

    -1

How is this ranking ordered? By people's votes: each ▲ adds a point and each ▼ takes one away. Anyone can vote and add what is missing.

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